Tenderly -solo acoustic guitar - Igor Presnyakov
Tenderly ( Walter Lloyd Gross / Jack Lawrence ) . Interpreted and performed by Igor Presnyakov
Greven Guitar OM 12 Lacewood
Greven Guitar, model OM-12 with Lacewood back and sides under a gorgeous sunburst at www.guitargal.com. Played by Markham Brown at Guitar Gallery
Guitar Lessons - Whiskey In The Jar Metallica traditional Irish folk Beginners Acoustic songs
Go to yourguitarsage.com tofind out how to get a chart to this song and 100s of other songs!!! This guitar lesson vid shows you how to play Whiskey In The Jar traditional Irish folk song . It shows you the chords, strumming technique and style. Check out yourguitarsage.com for info on my online instructional resources about charts, chords, strumming and the techniques that I use here in my videos.. For more guitar lessons, see my other free tutorials. For original and cover music by me …
Wah Wah Pedals with Marshall and Humbucker guitar
www.dolphinstreet.com A Marshall JVM410H on the Clean Channel, Orange mode, with a SD-9 distortion pedal added before the wah pedals. I used a Dunlop regular Crybaby, EVH Crybaby, Fulltone Clyde Wah, and EX-7 with 2 wah models (Crybaby and Vox McCoy). Guitar is a Michael Kelly Patriot Shadow with Rockfield pickups. Played by Robert Renman.
Jake Shimabukuro plays While My Guitar Gently Weeps
Jake Shimabukuro ukulele virtuoso plays George Harrison’s all time favorite ‘While My Guitar Gently Weeps’. Incredible energy! Sometimes I feel a bit Stevie Ray energy…. Enjoy!
Blues Backing Tracks: Blues Guitar Solo
www.learningguitarnow.com Here’s me playing a blues guitar solo over one of my new Backing Tracks.
Play any song on guitar Beginner lesson with exercises strum patterns chords acoustic or electric
www.nextlevelguitar.com Click thelink above to receive free exclusive videos, newsletters, and lots more free guitar and music goodies from Next Level Guitar. In this lesson David Taub teaches the secrets to playing songs to beginners - playing any song. He gives some killer practice exercises that will get your chord changing and rhythm to the next level and ready to play any song you desire - check it out! Many more full on video lessons at the full on video instructional website at: www …
Gibson Releases Les Paul Tribute 1952 Goldtop
Hot on the heels of their Epiphone branded Les Paul Tribute Standard, Gibson this week announced the release of a high-end Custom Shop model –– the Les Paul Tribute 1952 –– in honor of the legendary musician/innovator behind the name, Les Paul himself.
Billed as the closest match yet to Les’ original specs, the guitar looks to be a beauty of classic styling and guitar-history nostalgia… even the brass trapeze tailpiece and top-wrapped bridge (a Les Paul patented creation,) are present and accounted for.
According to Gibson the Les Paul Tribute 1952 is being built around a two-piece mahogany body (Grade-A) that’s been topped with a two-piece maple top (Grade-C,) and glued together with super-strong Franklin Titebond 50 glue.
And as per the earliest LP models, the guitar will be hand-finished with Gold nitrocellulose on the top (90-sheen lacquer –– no poly here) while the rim, back and neck have been left to show off that Grade-A mahogany grain, and coated with a high-gloss lacquer.
Other stand-out features will include a solid quarter-sawn Grade-A mahogany neck with ’50s neck profile, headstock with Gibson logo inlaid in mother of pearl and“prototype” stamped into the back, and a 22-fret fretboard of Grade-A mahogany (12″ radius,) with acrylic trapezoid inlays and antique neck binding.
Electronics will include a pair of cream-colored single-coil P-90 pickups, dual Volume controls with Gold Speedvolume knobs, dual Tone controls with Gold Speedtone knobs, 3-way pickup switching via toggle switch, and a Switchcraft 1/4″ outback jack. Tuners are vintage-style, with press-in bushings.
The Gibson Les Paul Tribute 1952 will ship with a hardshell case and Certificate of Authenticity, including a photo of Les Paul and detailed specs of the instrument. It carries an MSRP of $5,581.00.
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Lady Gaga Tells Fans ‘It’s OK’ To Be A Freak
November 26, 2009 by admin
Filed under Guitar News
Singer says she hopes fans ‘feel like they have a freak in me to hang out with’ in appearance on ‘Ellen DeGeneres Show.’
By Jocelyn Vena
Lady Gaga performs on the “Ellen DeGeneres Show”
Photo: Michael Rozman/Warner Bros.
With her flamboyant outfits and stage persona, Lady Gaga certainly doesn’t look like a traditional pop star. She admits that she finally feels cool with being that kooky person after years of trying to figure out how to fit in. And, as always, she says it’s all about pleasing her fans.
“The whole point of what I do — the Monster Ball, the music, the performance aspect of it — I want to create a space for my fans where they can feel free and they can celebrate,” she said on “The Ellen DeGeneres Show” airing Friday. “I didn’t fit in in high school, and I felt like a freak. So I like to create this atmosphere for my fans where they feel like they have a freak in me to hang out with and they don’t feel alone.”
Gaga, who sang her singles “Bad Romance” and “Speechless” off her album The Fame Monster, added that she isn’t acting the part of Lady Gaga as some gimmick. This is really her, whether you get it or not.
“This is really who I am, and it took a long time to be OK with that,” she explained. “Maybe in high school you, Ellen, you feel discriminated against. Like you don’t fit in and you want to be like everyone else but not really, and in the inside you want to be like Boy George — well, I did anyway. So I want my fans to know that it’s OK. Sometimes in life you don’t always feel like a winner, but that doesn’t mean you’re not a winner. You want to be like yourself. … I want my fans to know it’s OK.”
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Adam Lambert Explains American Music Awards Performance Frame By Frame
November 26, 2009 by admin
Filed under Guitar News
Singer takes us through every controversial, planned and improvised moment of the show.
By Gil Kaufman, with reporting by Jim Cantiello
Adam Lambert
Photo: MTV News
As it turns out, two of the most controversial moments of Adam Lambert’s American Music Awards performance on Sunday night were total ad libs. That’s what Lambert told MTV News on Tuesday, when he sat down to discuss the show-closing set that turned him into a global Internet sensation all over again.
“That wasn’t in the original choreography,” Lambert explained of the bit where he took a male dancer’s head and shoved it into his crotch to mimic oral sex. “I was supposed to look at him, and I just grabbed him. I wouldn’t have done it if I didn’t think he would have been cool with it. … It might look real forceful, but we all respect each other and were doing it in the name of the show.”
Lambert also said that he didn’t know he was going to grab keyboard player Tommy Ratliff and give him a rather full-mouth kiss near the end of the run through “For Your Entertainment,” the title track to Lambert’s just-released major-label debut.
“During rehearsal, I grab him by the hair and kind of just looked at him,” he said, adding that the keyboardist is not married, as had been rumored, but is definitely straight. “He’s straight. He just, I guess, didn’t mind getting kissed in the name of entertainment on stage.”
Though everyone was talking about Jennifer Lopez’s fall on Monday morning, Lambert walked us through his own tumble, which the musical-theater veteran almost managed to play off as part of the show. “My foot got caught on the stair, and I hit the platform and I didn’t know what was going on,” he said of the fall, after which he did a forward roll, picked up a cane and fondled a female dancer while getting back to his feet within seconds. “[I thought], ‘OK, I have to get up and turn around.’ I felt like when you spray a cockroach and its legs are up in the air … At that point the adrenaline was like, ‘Oh my God, I just fell … ahhhh!’ ”
Lambert noted that near the beginning of his appearance, ABC censors dropped out the audio and cut away from him when he gestured to his crotch, saying that he didn’t use any foul language, but someone with an itchy bleep finger simply jumped the gun. “They got scared,” he said. Censors also managed to cut away to avoid showing Lambert giving the finger to all the haters.
In retrospect, he also had to laugh a bit at the moment when he pushed through a mirrored doorway. “Now that I look at it, that moment there of the door, flinging the door open … it’s a good symbol,” he said.
Of all the things that went wrong or in a different direction than he planned, Lambert seemed most annoyed by what he said were the poor acoustics in the Nokia Live Theatre, which may explain why some critics complained that his vocals were a bit pitchy and off. “The Nokia Theatre has really crappy acoustics, actually,” said Lambert, who also tweeted to gossip blogger Perez Hilton about his acoustical problems. “When you hear an album or you’re even at a concert, or anywhere that you’re in an acoustic space, there’s echo from the room and that makes the sound sound cool, it gives it space. [At the Nokia] it’s just, like, dry. It’s a dry mix, so it doesn’t do anybody any favors. I heard some other performers weren’t too happy with some of their sound either.”
On the positive side, Lambert was proud to reveal that the “Phantom of the Opera”-style, gothic piano intro to the performance was written by none other than famed David Bowie collaborator Mike Garson, who has also worked with Nine Inch Nails, No Doubt and the Smashing Pumpkins.
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